{"title":"Indie and Alt Rock Vinyl","description":"","products":[{"product_id":"die-spitz-something-to-consume-12-black-vinyl-lp","title":"Die Spitz • Something To Consume | 12' Black Vinyl LP","description":"\u003cp\u003eWhen the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen different ways to push back. If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionize.\u003c\/p\u003e\n\u003cp\u003eOn their debut album, Something to Consume, Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life. “There’s a political side to it, but addiction and love can also be all-consuming,” Livingston says. And as the foursome trade off instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50714774995232,"sku":null,"price":34.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/148918_main.jpg?v=1758231722"},{"product_id":"hotline-tnt-raspberry-moon-black-vinyl-12-lp","title":"Hotline TNT • Raspberry Moon | Black Vinyl 12\" LP","description":"\u003cp\u003eFollowing the release of their triumphant breakthrough album Cartwheel, which gained widespread critical acclaim from the likes of Pitchfork (8.4\/10 Best New Music) and Stereogum (Top 10 Albums of 2023 - “riveting, restless shoegaze packed with massive hooks”), NYC’s Hotline TNT are back with their best album yet, Raspberry Moon. The record marks what many are calling 'The Next Phase in New American Shoegaze'.\u003c\/p\u003e\n\u003cp\u003eHotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. Whilst Cartwheel was largely conceived by frontman Will Anderson (previously of cult indie group Weed), Raspberry Moon is very much a full-band effort, which is evident in the album’s all-consuming, rip-roaring sound. For fans of Teenage Fanclub, Dinosaur Jr. and My Bloody Valentine.\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50714792591648,"sku":null,"price":32.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/148553_main.jpg?v=1758232104"},{"product_id":"backordered-wednesday-bleeds-12-black-vinyl-lp","title":"Wednesday • BLEEDS | 12\" Eco Mix Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePLEASE NOTE\u003c\/em\u003e - This item is on backorder, and will ship as soon as we receive more copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50732579717408,"sku":null,"price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/doc428.wednesday.bleeds.digital.cover_1_.3000x3000-d156e48d6a173c3544b334fd060860b5.jpg?v=1758749443"},{"product_id":"rocket-r-is-for-rocket-red-vinyl","title":"Rocket • R Is For Rocket | Red Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eR is for Rocket, the quartet's remarkable debut album, out October 3, 2025 via Transgressive Records\/ Canvasback is a joyride through sonic terrain that is gloriously loud, anthemic, bombastic and beautiful, with instantly captivating songs that achieve the rare feat of evoking nostalgia while sounding completely new. The band's jagged, fuzzed-out sound has antecedents in '90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It's no wonder they are widely considered one of the most promising guitar-forward bands of their generation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50749927358752,"sku":null,"price":33.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/risforrocketred.jpg?v=1759263562"},{"product_id":"rocket-r-is-for-rocket-black-vinyl","title":"Rocket • R Is For Rocket | Black Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eR is for Rocket, the quartet's remarkable debut album, out October 3, 2025 via Transgressive Records\/ Canvasback is a joyride through sonic terrain that is gloriously loud, anthemic, bombastic and beautiful, with instantly captivating songs that achieve the rare feat of evoking nostalgia while sounding completely new. The band's jagged, fuzzed-out sound has antecedents in '90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It's no wonder they are widely considered one of the most promising guitar-forward bands of their generation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50749932503328,"sku":null,"price":33.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/risforrocketblack.jpg?v=1759263823"},{"product_id":"the-jesus-and-mary-chain-psychocandy-40th-anniversary-edition-12-vinyl-lp","title":"The Jesus and Mary Chain • Psychocandy 40th Anniversary Edition | CHOOSE COLOR","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE IS 11\/14\/2025. Orders ship 11\/11.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHYPE: \u003c\/strong\u003e\u003cem\u003eTHIS IS THE FIRST REISSUE OF PSYCHOCANDY SINCE THE BAND REGAINED THE RIGHTS. A TRUE \"PUNK ROCK\" PARTNERSHIP WITH THIRD MAN AND THE BAND. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1985: As the last detached murmurs of post-punk slowly crest into the earliest whispers of shoegaze, standing there in a world all their own, cutting a profile both unique and incomparable is the Jesus and Mary Chain. With equal influence gleaned from The Stooges and The Shangri-Las, The Velvet Underground and The Beach Boys, the band releases the unassailable godhead album, Psychocandy. In celebration of 40 years of one of the most important and watershed albums of all time, Third Man Records is humbled to announce our partnership with The Jesus and Mary Chain and the re-release of Psychocandy pressed on glorious black vinyl with a limited run pressed on hot honey vinyl. Packaged in a single pocket sleeve using the original artwork including the printed inner sleeve.Cut by Warren Defever at Third Man Mastering using super high definition 192khz transfers of the original 1985 mix and featuring the classic JAMC line-up of Jim Reid, William Reid, Douglas Hart and Bobby Gillespie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSide A \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust Like Honey\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Living End\u003cbr\u003eTaste The Floor\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Hardest Walk\u003cbr\u003eCut Dead \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIn A Hole\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTaste Of Cindy \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSide B \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNever Understand\u003cbr\u003eInside Me\u003cbr\u003eSowing Seeds\u003cbr\u003eMy Little Underground\u003cbr\u003eYou Trip Me Up\u003cbr\u003eSomething's Wrong\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIt's So Hard \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Records","offers":[{"title":"Hot Honey","offer_id":50806941581600,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":50806941614368,"sku":null,"price":23.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/TMR1132-68d1a05186c34.jpg?v=1760629835"},{"product_id":"unknown-mortal-orchestra-curse-12-vinyl-ep","title":"Unknown Mortal Orchestra • Curse | Black Vinyl 12\" EP","description":"\u003cp\u003e\u003cstrong\u003eSHIPS ON OR BEFORE 10\/31\/2025.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUMO’s 'CURSE' EP reflects these cursed times we find ourselves in. Taking inspiration from Italian horror films of the 1970s and 1980s, the six songs on the release are as cathartic a listen as the band has ever recorded. Featuring both abrasive, Black Sabbath inspired riffs on “BOYS WITH THE CHARACTERISTICS OF WOLVES” as well as the laid back, intricate guitar playing UMO is maybe most famous for on “DEATH COMES FROM THE SKY”, the CURSE EP is the perfect soundtrack to your next confrontation with the void.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklist:\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"metafield-rich_text_field\"\u003e\n\u003cp\u003e01) AURA\u003cbr\u003e02) BOYS WITH THE CHARACTERISTICS OF WOLVES\u003cbr\u003e03) DEATH COMES FROM THE SKY\u003cbr\u003e04) ONE HUNDRED BATS\u003cbr\u003e05) SORCERERS OF SILENCE\u003cbr\u003e06) CURSE\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k9ua2O0h-Ew?si=tO8GRhPizdBdStKN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":50807167779104,"sku":null,"price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/JAG483.jpg?v=1760630696"},{"product_id":"unknown-mortal-orchestra-ii-10-year-anniversary-reissue-black-vinyl-12-lp","title":"Unknown Mortal Orchestra • II 10 Year Anniversary Reissue | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnknown Mortal Orchestra came to life in basements and bedrooms, the musical vision of Portlander-via-New Zealand Ruban Nielson that fused guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for. It was, and is, the solidification of Unknown Mortal Orchestra as an endlessly intriguing, brave and addictive band. Ten years on, it's back with an expanded edition.Written during a punishing, debauched touring schedule during which Nielson feared for both his sanity and health, II illustrates the emotional turmoil of life on the road, painting surrealist, cartoonish portraits of loneliness, love and despair. These conflicting themes are evident immediately; on the album's sleeve is an unnerving image of Janet Farrar, the famous British witch, Wiccan, author and teacher of witchcraft. The chilling refrain of opener \"Into The Sun\" sees Nielson deliver the line \"Isolation can put a gun in your hand,\" softly, his words starkly intelligible above a warm, slow-burning melody that quickly brands itself onto your brain. His playful imagery (\"I'm so lonely I've gotta eat my popcorn all alone\") mirrors the melody, before a solo that borders on psychotropic ends II's introduction. UMO is unafraid to dig deeper than the rest, their intoxicating, opiate groove bringing rock'n'roll's exaggerated myths to life. And as it unfolds, II does find Nielson reenergized. \"One At A Time\" and \"Faded In The Morning\" boast dizzying choruses and instrumentals; these crusty hunks could have been excavated from a lost 1960s treasure trove. \"Monki\" unravels over seven minutes like the yarn from a stoner's cardigan with an eye-frying pattern. \"Dawn\" is a minute of disconcerting noise that stands out between the nooks and crannies of the choruses, guitar solos, groove-heavy bass and drums that were recorded live by newly-recruited drummer Greg Rogove and Kody Nielson in a move away from the electronic percussion employed on album one. II closes with \"Secret Xtrians,\" a tender observational puzzle that fizzes to a satisfied end.In celebration of the album's 10th anniversary Nielson's complete collection from the II era is finally available in one compilation, and features the five acoustic tracks from the Blue EP as well as two additional B-sides. Unknown Mortal Orchestra was once Nielson's closeted concern. With an album that uses his singular musical imagination and extraordinary talent to parade his emotions with unyielding honesty, it is now a fully realized band operating at the peak of its powers ten years on.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":50807464755488,"sku":null,"price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/JAG232.jpg?v=1760634042"},{"product_id":"wednesday-twin-plagues-black-vinyl-12-lp","title":"Wednesday • Twin Plagues | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty.But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of \"The Burned Down Dairy Queen\" when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided.So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when \"Birthday Song\" gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let \"Ghost Of A Dog\" churn and rattle you to some nighttime realization that you couldn't have had in silence.But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":50807503913248,"sku":null,"price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DOC327.jpg?v=1760634404"},{"product_id":"wednesday-rat-saw-god-purple-vinyl-12-lp","title":"Wednesday • Rat Saw God | Purple Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din.Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange – which is in-line with Hartzman's own ethos: \"Everyone’s story is worthy,\" she says, plainly. \"Literally every life story is worth writing down, because people are so fascinating.\"But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details – how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen – but it's mostly the way those tiny moments add up into a song or album or a person.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":50807553622304,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DOC328.jpg?v=1760634569"},{"product_id":"scowl-are-we-all-angels-black-vinyl-12-lp","title":"Scowl • Are We All Angels | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eScowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves.Much of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains vocalist Kat Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.” The album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says drummer Cole Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next.Scowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. Moss adds: “Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.” But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and its sense of community. “Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate,” says guitarist Malachi Greene. “At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":50808060576032,"sku":null,"price":23.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DOC358.jpg?v=1760638392"},{"product_id":"cold-gawd-ill-drown-on-this-earth-black-vinyl-12-lp","title":"Cold Gawd • I'll Drown On This Earth | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSouthern California shoegaze squad Cold Gawd return to Dais for their second and most supreme suite yet of crushing downer bliss: 'I’ll Drown On This Earth'. From the defiant scream that kicks off opening cut “Gorgeous,” the album rips in what singer and principal songwriter Matthew Wainwright describes as “go for it” mode: holding back nothing, wasting no time. Although the bulk of the songs were written in 2022, recording sessions weren’t booked until March of 2024, which allowed ample time to refine and distill the music’s hooks, heaviness, and haze. The result is a perfect storm of distortion and dream pop, cracked love songs cloaked in swooning walls of noise.Recorded at Paradise Recorders in Anaheim, California with Colin Knight (of post-punk unit Object of Affection), Wainwright tracked the strings while Cameron Fonacier handled drums. The process was efficient and effective, sharpened by years of performance. Anthemic headbangers like “Portland,” “All My Life, My Heart Has Yearned For A Thing I Cannot Name,” and “Malibu Beach House” sound as dynamic as they do dialed-in, soaked into the bones of the players. The lyrics came last, written by Wainwright a week before recording. Moods of surreality (“I can hear the blood in my fingers \/ nothing tunes out \/ the world’s too loud”), infatuation (“I will follow \/ everywhere you go \/ any way to feel \/ how you glow”), and melancholy (“God kept me around \/ for no good reason”) flicker and fade within a fog of memory and reverb.As on 2022’s 'God Get Me The Fuck Out Of Here', Cold Gawd's contemporary vision of shoegaze manifests intriguingly in outlier moments, like the hushed, whirlpool reverie of “Tappan,” or the vaporous, slow-grind downtempo of ““Nudism”” (complete with regal piano outro). Theirs is a muse as vivid as it is varied, from Loveless, to Drake, post-hardcore and Beach House. Drown evocatively captures the expanding canon of Cold Gawd, dense with riffs and raptures, escape and revelation, channeled from stacked amps and hidden powers: “Give praise \/ to whatever \/ I got time for \/ hallelujah.”\u003c\/span\u003e\u003c\/p\u003e","brand":"DAIS Records","offers":[{"title":"Default Title","offer_id":50808062673184,"sku":null,"price":22.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DAIS230.jpg?v=1760638658"},{"product_id":"snooper-worldwide-indie-exclusive-translucent-pink-vinyl-12-lp","title":"Snooper • Worldwide (Indie Exclusive) | Translucent Pink Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Push pull\/ Side to side\/ This way\/ That way\/ Can’t decide\/ Pressure! Pushing in\/ Flattened me out from end to end,” Blair Tramel sings on “Worldwide,” the title track from Snooper’s new album. The song captures the dizzying headspace of the band’s rapid ascent from the Nashville DIY circuit to global touring and notoriety in far-flung corners of the world’s underground music scene. But though the band was feeling the pressure — the song is partially inspired by hydraulic press YouTube videos — all the challenges presented opportunity for transformation.“Worldwide” is a mission statement for the record not just thematically, but also aesthetically, showcasing Snooper’s stylistic exploration. Newly inspired by electronic music, the rhythm of “Worldwide” is unrelenting and mechanistic — capturing the frenzied pace at which Snooper’s lives were moving, but allowing for release in Tramel’s yelps and Connor Cummins’ scuzzy guitar breaks. “Worldwide” introduces us to the next chapter of Snooper — more personal, more cathartic, sharper, bolder, catchier. “There’s a sweet spot,” Tramel says of the evolution that came out of Snooper’s whirlwind experience these last few years. “For a moment, push and pull create this beautiful dance.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":50808087281952,"sku":"810074425001","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/TMR1095C1.jpg?v=1760640899"},{"product_id":"fleshwater-2000-in-search-of-the-endless-sky-metallic-blue-vinyl-12-lp","title":"Fleshwater • 2000: In Search Of The Endless Sky | Metallic Blue Vinyl 12\" LP","description":"","brand":"Closed Casket Activities","offers":[{"title":"Default Title","offer_id":50820321149216,"sku":null,"price":34.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/Fleshwater_2000.jpg?v=1760995086"},{"product_id":"deftones-private-music-limited-clear-vinyl-12-lp","title":"Deftones • Private Music | Limited Clear Vinyl 12\" LP","description":"","brand":"Reprise","offers":[{"title":"Default Title","offer_id":50820367057184,"sku":null,"price":38.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/PrivateMusic_Deftones.jpg?v=1760995359"},{"product_id":"mannequin-pussy-i-got-heaven-black-vinyl-12-lp","title":"Mannequin Pussy • I Got Heaven | Black Vinyl 12\" LP","description":"","brand":"Epitaph","offers":[{"title":"Default Title","offer_id":50820393369888,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/mannequinpussy_igotheaven.jpg?v=1760995719"},{"product_id":"they-are-gutting-a-body-of-water-lotto-black-vinyl-12-lp","title":"They Are Gutting A Body Of Water • Lotto | Black Vinyl 12\" LP","description":"","brand":"Ultra-Vybe","offers":[{"title":"Default Title","offer_id":50820429512992,"sku":null,"price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/tagabow_lotto.jpg?v=1760996042"},{"product_id":"guided-by-voices-thick-rich-and-delicious-black-vinyl-12-lp","title":"Guided By Voices • Thick Rich  And Delicious | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e*ORDERS SHIP ON OR BEFORE 10\/31*\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRobert Pollard: “I’m a student of hooks. That perfect combination of a lyric and a chord pattern that gives you that chill up the back of your spine.”\u003c\/p\u003e\n\u003cp\u003eThick Rich And Delicious overflows with hooks. It plays through front-to-back like a power pop classic, but don’t misconstrue pop for soft. The basic tracks were cut live and hot to tape and are presented with minimal overdubs. The band recorded in a Brooklyn studio at extreme volumes, conjuring the spontaneity and electric energy of their legendary live show. Complimenting Pollard’s lead vocals, harmonies are sung by Grammy-nominated Bobby Bare Jr and Pollard (aka “The Self-Righteous Bros”). The sound delivers on the album’s titular promise—thick, rich and delicious.\u003c\/p\u003e\n\u003cp\u003ePollard combines a new batch of songs with a basket of unrecorded gems dating back to the band’s nascent years. The chorus of “Oxford Talawanda” contains a never-used hook that Pollard has been singing for nearly his entire life.\u003c\/p\u003e\n\u003cp\u003eWith Thick Rich And Delicious, you can get that satisfaction.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GBV Inc","offers":[{"title":"Default Title","offer_id":50834366398752,"sku":null,"price":26.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/gbvthickrichanddelicious.jpg?v=1761254069"},{"product_id":"hayley-williams-ego-death-at-a-bachelorette-party-26-highlighter-vinyl-12-lp","title":"Hayley Williams • Ego Death At A Bachelorette Party | 26 Highlighter Vinyl 12\" Double LP","description":"\u003cp\u003eAfter 20+ years spent fulfilling their contract for Atlantic Records - a contract Williams signed as a mere teenager - Paramore announced in December of 2023 that they were finally an independent band. This surprise collection is self-released by Hayley Williams on her new venture Post Atlantic.These songs come as the third batch of work released from Williams as a solo artist. The COVID-era saw her release two extraordinary albums - 2020's Petals For Armor and 2021's Flowers for Vases. Both albums were gorgeous and stark meditations on loss and offered up a contrast to the high-energy and up-tempo muscle she displays in Paramore. \"The record—epitomizing vulnerability and transformative growth—reveals a more mature and introspective side of Williams,\" said Pitchfork of Petals, and went on to say of Flowers \"her voice is undoubtedly the standout feature... husky and gentle, dangerous yet warm,\" and explained that the minimal production \"makes this a purposeful reset.\"\u003c\/p\u003e","brand":"Post Atlantic","offers":[{"title":"Default Title","offer_id":50846409818400,"sku":null,"price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/PA001-68b092f4ae4d2.png?v=1761598039"},{"product_id":"joyer-on-the-other-end-of-the-line-black-vinyl-12-lp","title":"Joyer • On The Other End Of The Line... | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor Joyer, the east coast indie rock duo of brothers Nick and Shane Sullivan, distance has been a strange throughline as of late—distance from home, distance from each other, distance from a stable routine. Produced by Slow Pulp’s Henry Stoehr, their latest LP, On the Other End of the Line…, ruminates on how their respective experiences relocating cities and an increasingly hectic tour schedule uncovered both their anxieties and a burning desire for connection. It’s a hopeful reflection of two distinct perspectives on fluctuating backdrops and the pressures of creativity, filtered through hook-y earnestness and crunchy six-string bluster. Itching to dial back their shoegaze leanings in favor of folkier touches and less conventional, more ambitious arrangements On the Other End of the Line… is Joyer at their most vulnerable, leaning less on imagery and abstractions and cracking the door to their bursting insides.\u003c\/span\u003e\u003c\/p\u003e","brand":"Julia's War","offers":[{"title":"Default Title","offer_id":50851226976544,"sku":null,"price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/JWR088-688a839b21a32.png?v=1761669614"},{"product_id":"hayley-williams-ego-death-at-a-bachelorette-party-cd","title":"Hayley Williams • Ego Death At A Bachelorette Party | CD","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e*THIS PRODUCT SHIPS ON OR BEFORE 11\/7\/2025*\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter 20+ years spent fulfilling their contract for Atlantic Records - a contract Williams signed as a mere teenager - Paramore announced in December of 2023 that they were finally an independent band. This surprise collection is self-released by Hayley Williams on her new venture Post Atlantic.These songs come as the third batch of work released from Williams as a solo artist. The COVID-era saw her release two extraordinary albums - 2020's Petals For Armor and 2021's Flowers for Vases. Both albums were gorgeous and stark meditations on loss and offered up a contrast to the high-energy and up-tempo muscle she displays in Paramore. \"The record—epitomizing vulnerability and transformative growth—reveals a more mature and introspective side of Williams,\" said Pitchfork of Petals, and went on to say of Flowers \"her voice is undoubtedly the standout feature... husky and gentle, dangerous yet warm,\" and explained that the minimal production \"makes this a purposeful reset.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Post Atlantic","offers":[{"title":"Default Title","offer_id":50891921785120,"sku":null,"price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/PA001_1_f7b17583-359b-41ee-9878-b5008326e953.jpg?v=1762451102"},{"product_id":"they-are-gutting-a-body-of-water-lotto-cd","title":"They Are Gutting A Body Of Water • Lotto | CD","description":"","brand":"Ultra-Vybe","offers":[{"title":"Default Title","offer_id":51112422113568,"sku":null,"price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/tagabow_lotto.jpg?v=1760996042"},{"product_id":"joyce-manor-i-used-to-go-to-this-bar-yellow-vinyl-12-lp","title":"Joyce Manor • I Used To Go To This Bar | Yellow Vinyl 12\" LP","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eJoyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion.\u003c\/p\u003e\nTheir seventh album finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. I Used To Go To This Bar further situates Joyce Manor in the rich lineage of their influences and inspirations. Think AFI's rapid-fire burn, Weezer's indelible power-pop acumen, and the dusky emotionalism of the Smiths while further establishing them as leading lights in the current rock landscape.\u003cspan\u003e \u003c\/span\u003eThe fresh burst of inspiration that fuels I Used To Go To This Bar proves that Joyce Manor are far from content to rest on such laurels, moving forward with their sound and style in a way that reminds you of how they got to this point in the first place. Catch them live at Coachella 2026.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Epitaph","offers":[{"title":"Default Title","offer_id":51163317502240,"sku":null,"price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/JoyceManorIUsedToGoToThisBar.png?v=1769629211"}],"url":"https:\/\/watchicecream.com\/collections\/indie-and-alt-rock-vinyl.oembed","provider":"Ice Cream","version":"1.0","type":"link"}