{"title":"Shoegaze, Nu-Gaze, and Dreampop Vinyl","description":"","products":[{"product_id":"hotline-tnt-raspberry-moon-black-vinyl-12-lp","title":"Hotline TNT • Raspberry Moon | Black Vinyl 12\" LP","description":"\u003cp\u003eFollowing the release of their triumphant breakthrough album Cartwheel, which gained widespread critical acclaim from the likes of Pitchfork (8.4\/10 Best New Music) and Stereogum (Top 10 Albums of 2023 - “riveting, restless shoegaze packed with massive hooks”), NYC’s Hotline TNT are back with their best album yet, Raspberry Moon. The record marks what many are calling 'The Next Phase in New American Shoegaze'.\u003c\/p\u003e\n\u003cp\u003eHotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. Whilst Cartwheel was largely conceived by frontman Will Anderson (previously of cult indie group Weed), Raspberry Moon is very much a full-band effort, which is evident in the album’s all-consuming, rip-roaring sound. For fans of Teenage Fanclub, Dinosaur Jr. and My Bloody Valentine.\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50714792591648,"sku":null,"price":32.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/148553_main.jpg?v=1758232104"},{"product_id":"backordered-wednesday-bleeds-12-black-vinyl-lp","title":"Wednesday • BLEEDS | 12\" Eco Mix Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePLEASE NOTE\u003c\/em\u003e - This item is on backorder, and will ship as soon as we receive more copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50732579717408,"sku":null,"price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/doc428.wednesday.bleeds.digital.cover_1_.3000x3000-d156e48d6a173c3544b334fd060860b5.jpg?v=1758749443"},{"product_id":"lovesliescrushing-bloweyelashwish-precious-silver-2xlp","title":"lovesliescrushing • bloweyelashwish | Precious Silver 2xLP","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"When I was in high school, there was a solid month or two in which the chances of this album being blasted from any device within my reach were incredibly high. I loaned it to my best friend who hadn't heard it, and years later he told me he has a vivid memory of checking it out while at home sick - and he wasn't sure if he was hearing it right, or if all the cough medicine was altering his perception. Telling you this is my way of letting you know you need this record.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Matt Ice Cream\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAn ambient symphony of ethereal decay, upgraded to 21st century classic status. Tracked at home in '92 with a 12-string guitar, 4 track recorder, looping pedal, infinite reverb, and the textured coos of enigmatic vocalist Melissa Arpin Duimstra, Scott Cortez's lovesliescrushing project transformed post-adolescent bedroom daydreaming into a serene, moonlit float on an endless sea. This expanded and remastered double album edition adds five more distortion-wracked reflections from the vault, with lyrics and replica postcard to get lost in along the way. No need for the eyewash station here—blindness intended.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":50778147717408,"sku":null,"price":34.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/Untitled6.png?v=1759943917"},{"product_id":"various-artists-lonely-is-an-eyesore-4ad-12-black-vinyl","title":"Various Artists • Lonely Is An Eyesore | 4AD 12\" Black Vinyl","description":"\u003cp\u003e\u003cem\u003eThis is a \u003cstrong\u003eVINTAGE, USED Product\u003c\/strong\u003e in the following condition:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacket: NM\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMedia: VG+\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003e\u003cb\u003eLonely Is an Eyesore\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e is a \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Compilation_album\" title=\"Compilation album\"\u003ecompilation\u003c\/a\u003e\u003cspan\u003e on the \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/4AD\" title=\"4AD\"\u003e4AD\u003c\/a\u003e\u003cspan\u003e label. Released in June 1987, it features artists signed to the label at the time. The tracks were recorded between 1985 and 1987 with the exception of \"Frontier\" by \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dead_Can_Dance\" title=\"Dead Can Dance\"\u003eDead Can Dance\u003c\/a\u003e\u003cspan\u003e, which was a demo by the group from 1979. The title of the release comes from the lyric of the track \"Fish\" by \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Throwing_Muses\" title=\"Throwing Muses\"\u003eThrowing Muses\u003c\/a\u003e\u003cspan\u003e, at that time the newest signing to the label.\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Colourbox\" title=\"Colourbox\"\u003eColourbox\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Hot Doggie\" (2:57)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/This_Mortal_Coil\" title=\"This Mortal Coil\"\u003eThis Mortal Coil\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Acid, Bitter and Sad\" (5:26)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Wolfgang_Press\" title=\"The Wolfgang Press\"\u003eThe Wolfgang Press\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Cut the Tree\" (5:35)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Throwing_Muses\" title=\"Throwing Muses\"\u003eThrowing Muses\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Fish\" (4:28)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dead_Can_Dance\" title=\"Dead Can Dance\"\u003eDead Can Dance\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Frontier (Demo)\" (2:58)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Cocteau_Twins\" title=\"Cocteau Twins\"\u003eCocteau Twins\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Crushed\" (3:16)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dif_Juz\" title=\"Dif Juz\"\u003eDif Juz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"No Motion\" (4:49)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Clan_of_Xymox\" title=\"Clan of Xymox\"\u003eClan of Xymox\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"Muscoviet Musquito\" (4:03)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dead_Can_Dance\" title=\"Dead Can Dance\"\u003eDead Can Dance\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– \"The Protagonist\" (8:47)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":50802517344544,"sku":null,"price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG_4438.heic?v=1760545959"},{"product_id":"the-jesus-and-mary-chain-psychocandy-40th-anniversary-edition-12-vinyl-lp","title":"The Jesus and Mary Chain • Psychocandy 40th Anniversary Edition | CHOOSE COLOR","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE IS 11\/14\/2025. Orders ship 11\/11.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHYPE: \u003c\/strong\u003e\u003cem\u003eTHIS IS THE FIRST REISSUE OF PSYCHOCANDY SINCE THE BAND REGAINED THE RIGHTS. A TRUE \"PUNK ROCK\" PARTNERSHIP WITH THIRD MAN AND THE BAND. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1985: As the last detached murmurs of post-punk slowly crest into the earliest whispers of shoegaze, standing there in a world all their own, cutting a profile both unique and incomparable is the Jesus and Mary Chain. With equal influence gleaned from The Stooges and The Shangri-Las, The Velvet Underground and The Beach Boys, the band releases the unassailable godhead album, Psychocandy. In celebration of 40 years of one of the most important and watershed albums of all time, Third Man Records is humbled to announce our partnership with The Jesus and Mary Chain and the re-release of Psychocandy pressed on glorious black vinyl with a limited run pressed on hot honey vinyl. Packaged in a single pocket sleeve using the original artwork including the printed inner sleeve.Cut by Warren Defever at Third Man Mastering using super high definition 192khz transfers of the original 1985 mix and featuring the classic JAMC line-up of Jim Reid, William Reid, Douglas Hart and Bobby Gillespie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSide A \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust Like Honey\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Living End\u003cbr\u003eTaste The Floor\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Hardest Walk\u003cbr\u003eCut Dead \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIn A Hole\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTaste Of Cindy \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSide B \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNever Understand\u003cbr\u003eInside Me\u003cbr\u003eSowing Seeds\u003cbr\u003eMy Little Underground\u003cbr\u003eYou Trip Me Up\u003cbr\u003eSomething's Wrong\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIt's So Hard \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Records","offers":[{"title":"Hot Honey","offer_id":50806941581600,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":50806941614368,"sku":null,"price":23.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/TMR1132-68d1a05186c34.jpg?v=1760629835"},{"product_id":"drab-majesty-an-object-in-motion-black-and-red-vinyl-12-ep","title":"Drab Majesty • An Object In Motion | Black and Red Vinyl 12\" EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into \"flow states,\" letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\"Cape Perpetua\" kicks off the collection's divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. \"The Skin And The Glove\" deploys jangle to different effect – baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, \"Vanity,\" infusing poetic gravity to the doomed refrain: \"If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.\"\"Yield To Force\", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It’s music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab’s evolving domain, their sound poised to bloom at the precipice of transformation.\u003c\/span\u003e\u003c\/p\u003e","brand":"DAIS Records","offers":[{"title":"Default Title","offer_id":50807450894624,"sku":"683950558489","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DAIS205.jpg?v=1760633780"},{"product_id":"cold-gawd-ill-drown-on-this-earth-black-vinyl-12-lp","title":"Cold Gawd • I'll Drown On This Earth | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSouthern California shoegaze squad Cold Gawd return to Dais for their second and most supreme suite yet of crushing downer bliss: 'I’ll Drown On This Earth'. From the defiant scream that kicks off opening cut “Gorgeous,” the album rips in what singer and principal songwriter Matthew Wainwright describes as “go for it” mode: holding back nothing, wasting no time. Although the bulk of the songs were written in 2022, recording sessions weren’t booked until March of 2024, which allowed ample time to refine and distill the music’s hooks, heaviness, and haze. The result is a perfect storm of distortion and dream pop, cracked love songs cloaked in swooning walls of noise.Recorded at Paradise Recorders in Anaheim, California with Colin Knight (of post-punk unit Object of Affection), Wainwright tracked the strings while Cameron Fonacier handled drums. The process was efficient and effective, sharpened by years of performance. Anthemic headbangers like “Portland,” “All My Life, My Heart Has Yearned For A Thing I Cannot Name,” and “Malibu Beach House” sound as dynamic as they do dialed-in, soaked into the bones of the players. The lyrics came last, written by Wainwright a week before recording. Moods of surreality (“I can hear the blood in my fingers \/ nothing tunes out \/ the world’s too loud”), infatuation (“I will follow \/ everywhere you go \/ any way to feel \/ how you glow”), and melancholy (“God kept me around \/ for no good reason”) flicker and fade within a fog of memory and reverb.As on 2022’s 'God Get Me The Fuck Out Of Here', Cold Gawd's contemporary vision of shoegaze manifests intriguingly in outlier moments, like the hushed, whirlpool reverie of “Tappan,” or the vaporous, slow-grind downtempo of ““Nudism”” (complete with regal piano outro). Theirs is a muse as vivid as it is varied, from Loveless, to Drake, post-hardcore and Beach House. Drown evocatively captures the expanding canon of Cold Gawd, dense with riffs and raptures, escape and revelation, channeled from stacked amps and hidden powers: “Give praise \/ to whatever \/ I got time for \/ hallelujah.”\u003c\/span\u003e\u003c\/p\u003e","brand":"DAIS Records","offers":[{"title":"Default Title","offer_id":50808062673184,"sku":null,"price":22.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DAIS230.jpg?v=1760638658"},{"product_id":"slowdive-everything-is-alive-cd","title":"Slowdive • Everything Is Alive | CD","description":"\u003carticle class=\"container-fluid constrain-content-center product-article\"\u003e\n\u003cdiv id=\"content pt-1\" class=\"ng-tns-c14-155 ng-star-inserted\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-12 px-3 py-3\"\u003e\n\u003cp class=\"ng-tns-c14-155\"\u003eeverything is alive, Slowdive's 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it.  While there are parts of this record that could sit neatly next to the atmospheric quality of 1995's Pygmalion; everything is alive also manages to break down the boundaries of what’s come before it. Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for the future; which figures, as their fanbase has grown younger \u0026amp; younger as time has gone on.  For a genre that is often thought of as divisive, and often warrants introspection, here Slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":50808248402208,"sku":"656605153223","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/DOC232.jpg?v=1760640714"},{"product_id":"drab-majesty-an-object-in-motion-cd-ep","title":"Drab Majesty • An Object In Motion | CD EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into \"flow states,\" letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\"Cape Perpetua\" kicks off the collection's divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. \"The Skin And The Glove\" deploys jangle to different effect – baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, \"Vanity,\" infusing poetic gravity to the doomed refrain: \"If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.\"\"Yield To Force\", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It’s music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. 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The Montréal-based project began a decade ago as e-mail-traded riffs; subsequent albums showcased a penchant for delay-saturated jangle, industrial distortion, and sludgey drones over disco beats. White-Gluz, feeling too reliant on her primary instrument, ditched the guitars and detoured to modular electronica for a 2018 EP composed with Sonic Boom (Spacemen 3’s Peter Kember).For No Joy’s first full length in five years, White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy’s early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance and nu-metal. Motherhood is the culmination of years composing outside of her comfort zone, and a return to DIY recording with a leveled-up expertise in production. Touring with genre-divergent artists has honed the band’s comfortably multifarious sound; No Joy picked up post-hardcore fans on the road with Quicksand, and ambient techno fans on gigs with Baths. “As long as people are open minded about music, they can hear different things,” explains White-Gluz, “Maybe because there are a lot of layers.”“A lot of layers” may be an understatement. Lead single “Birthmark” combines the ‘90s dance rock of Republica with phasing fuzz à la Deftones’ brand of loud-quiet-loud. “Dream Rats” (featuring White-Gluz’s sister, Alissa, of deathcore supergroup Arch Enemy) manages to cram synth choir, blast beats, cowboy leads, and signal-jammed shredding into a radio-friendly three and a half minutes. “Nothing Will Hurt” melds detuned arpeggios, Berlin school synths, slapped bass, and seemingly infinite vocal facets. Throughout are loving nostalgic nods to the records White-Gluz adored on their release twenty years ago--Massive Attack, Sneaker Pimps, No Doubt. Collaborative, exploratory fun hallmarks No Joy’s discography, and Motherhood is no exception. Bandmember Jorge Elbrecht (Ariel Pink, Sky Ferreira, Japanese Breakfast) returns in his role as co-producer and multi-instrumentalist. The band’s touring sound engineer Madeleine Campbell, who authors the Women In Sound zine, came on as engineer alongside Chris Walla (Death Cab for Cutie). Drummer Jamie Thompson (Islands, Esmerine) translated rhythmic ideas into hard-hitting performance, and brought in drum machines of his own. Frenetic shredder Tara McLeod (Kittie) makes her No Joy recorded debut, contributing not only guitars but banjos. Somehow plastic clarinet, scrap metal, skits, bongos and an EMS Putney made the mix. Songs went from laptop demos to labyrinthine recordings, tracked primarily at fellow Montrealers Braids’ Studio Toute Garnie. White-Gluz laid down the vocals at home, which allowed for experimentation with ethereal harmonies and shrouded ad libs. White-Gluz hadn’t read Sheila Heti’s Motherhood when she wrote and titled this record, but when she did, the narrative parallels between the two projects were “like looking into a mirror.” “Will I regret not opening my insides out?” she sings on “Primal Curse,” during which she reads an optimistic letter her mom wrote as a teenager to her future kids. “Time is critical, and you have to make decisions that are extremely time sensitive and your body doesn’t care,” she explains. “It’s a lot of seeing myself through my mother’s experiences, and the physicalness of a body getting older.” The album also investigates the implications of her parents’ aging on her role as their child, as on the DJ-scratching wah groover “Four.”Heti’s book’s central conceit is an open-ended pondering of whether dedication to writing is more significant than the desire to have children. No Joy doesn’t definitively answer this existential quagmire, either--how could anyone? 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Kennedy Ashlyn’s voice was immediately compared to Elizabeth Fraser and Kate Bush, while Cash Askew’s washes of intricate guitar felt akin to Robin Guthrie and Kevin Shields. Tragically, Cash Askew passed away in the Ghost Ship fire in Oakland in December of 2016, sending a shockwave of loss through our community. While Kennedy Ashlyn would eventually emerge as a solo artist through her project SRSQ, there were unfinished Them Are Us Too recordings and demos that Kennedy and those close to Cash felt deserved be heard in her memory.Kennedy returned to the studio with producer Joshua Eustis (Telefon Tel Aviv), Sunny Haire (Cash’s stepfather), Matia Simovich (INHALT), and Anya Dross (Cash’s girlfriend) to complete unfinished demos and sketches, write new compositions, and honor Cash Askew. 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With a nod to 80’s shoegaze sensibilities, Them Are Us Too creates songs about tragedy and loves-lost that draws devoted listeners to their nostalgic and innocent sound. Kennedy Ashlyn's vocals have been repeatedly compared to Kate Bush, Harriet Wheeler, and Elizabeth Fraser, with a pitch-perfect octave range carrying songs gracefully between optimistic joy down to undisturbed melancholia - all within one moment of verse. Guitarist Cash Askew paints a layered and complex backdrop using signature reverberation and washes of stringed ambient tones, akin to Robin Guthrie, Ronny Moorings and Kevin Shields.Perfectly executed songwriting with effortless simplicity and vernal drive, Them Are Us Too’s debut album, Remain, rivals the comparative magic behind the early 4AD catalog and zeitgeist of early Creation Records. 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It was the group's final album before their disbandment in 1995 and later reformation in 2014, and their only album with Ian McCutcheon, who had replaced Simon Scott on drums. Pygmalion is a significant departure from the shoegaze style that Slowdive had established in their previous two studio albums, Just for a Day and Souvlaki. The album features a more experimental sound tilted towards ambient electronic music, with sparse, atmospheric arrangements. The vinyl format is pressed on 140g black vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony Legacy","offers":[{"title":"Default Title","offer_id":51115100668192,"sku":null,"price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6626.jpg?v=1767987017"},{"product_id":"slowdive-everything-is-alive-12-vinyl-lp","title":"Slowdive • Everything Is Alive | 12” Vinyl LP","description":"\u003cp\u003eEverything is alive, Slowdive's 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it.\u003c\/p\u003e\n\u003cp\u003eWhile there are parts of this record that could sit neatly next to the atmospheric quality of 1995's Pygmalion; everything is alive also manages to break down the boundaries of what's come before it. Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for the future; which figures, as their fanbase has grown younger \u0026amp; younger as time has gone on. For a genre that is often thought of as divisive, and often warrants introspection, here Slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":51115101028640,"sku":null,"price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6627.jpg?v=1767987240"},{"product_id":"slowdive-slowdive-12-vinyl-lp","title":"Slowdive • Slowdive | 12” Vinyl LP","description":"\u003cp\u003e\u003cspan\u003eUK shoegaze pioneers Slowdive enter their second act and offer up a fourth studio opus, their first in 22 years. Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears. Deftly swerving what co-vocalist\/guitarist Rachel Goswell terms \"a trip down memory lane,\" these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date. Birthed at the band's talismanic Oxfordshire haunt The Courtyard, their diamantine melodies were mixed to a suitably hypnotic sheen at Los Angeles' famed Sunset Sound facility by Chris Coady. \"It's poppier than I thought it was going to be,\" notes principal songwriter Neil Halstead, who was the primary architect of 1995's previous full-length transmission Pygmalion. This time out the group dynamic was all-important. \"When you're in a band and you do three records, there's a continuous flow and a development. For us, that flow re-started with us playing live again and that has continued into the record.\" \"There's a different energy about it,\" adds drummer Simon Scott. \"It took ages to get back together and write songs and for it to click in the studio, but this album doesn't feel like a bolt-on - it's got an energy that's as vibrant as Souvlaki and Just for a Day. It feels very relevant to now.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony Legacy","offers":[{"title":"Default Title","offer_id":51115101749536,"sku":null,"price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6628.jpg?v=1767987592"},{"product_id":"lush-gala-12-vinyl-lp","title":"Lush • Gala | 12” Vinyl LP","description":"\u003cp\u003eLush's Gala was the band's debut compilation album, comprising their earliest releases - Scar\u003c\/p\u003e\n\u003cp\u003e(1989), Mad Love (1990), and Sweetness and Light (1990) - in reverse chronological order, plus two additional tracks (a cover version of ABBA's \"Hey Hey Helen\" and the extended Robin Guthrie mix of Scar track \"Scarlet\"). Originally released in 1990 as the band's introduction to the US and Japanese markets, the compilation’s 35th anniversary is being celebrated with a 2025 reissue with new remasters by Kevin Vanbergen. Back in print for the first time since 1990, the LP features original artwork by V23.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51115137073440,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6629.jpg?v=1767987697"},{"product_id":"lush-spooky-12-vinyl-lp","title":"Lush • Spooky | 12” Vinyl LP","description":"\u003cp\u003e\u003cspan\u003eWith a few EPs and a mini-album (Scar) having set the scene, Spooky is Lush's 1990 debut studio album. A key text for British indie music at the turn of a decade, it was produced by label mate Robin Guthrie (Cocteau Twins) and features the singles 'Nothing Natural', 'For Love' and 'Superblast!'.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51115156078880,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6630.jpg?v=1767987948"},{"product_id":"lush-split-12-vinyl-lp","title":"Lush • Split | 12” Vinyl LP","description":"\u003cp\u003e\u003cspan\u003eFeaturing the singles 'Desire Lines' and 'Hypocrite', Split is the second full studio album by Lush. Produced by Mike Hedges - famed for his work on The Cure's Seventeen Seconds \u0026amp; Siouxsie and the Banshees's A Kiss in the Dreamhouse - and mixed by Alan Moulder, Split sees the band hit a poppier sound whilst retaining their almost pitch-black feel.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51115169972512,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6631.jpg?v=1767988071"},{"product_id":"cocteau-twins-heaven-or-las-vegas-12-vinyl-lp","title":"Cocteau Twins • Heaven Or Las Vegas | 12” Vinyl LP","description":"\u003cp\u003e\u003cspan\u003eReleased in 1990, \u003c\/span\u003e\u003cem\u003eHeaven or Las Vegas\u003c\/em\u003e\u003cspan\u003e was the band's most commercially successful release, reaching number seven in the UK album charts.  Numerous publications have since declared it one of the best albums of the 90s, Pitchfork calling it \u003c\/span\u003e\u003cem\u003e“a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was.”\u003c\/em\u003e\u003cspan\u003e  Label founder Ivo Watts-Russell goes further, candidly revealing in the recent 4AD biography, \u003c\/span\u003e\u003cem\u003eFacing The Other Way\u003c\/em\u003e\u003cspan\u003e, that this album wasn’t just his favourite Cocteaus album but also his favourite all-time 4AD album, and \u003c\/span\u003e\u003cem\u003e“by a long shot”\u003c\/em\u003e\u003cspan\u003e, calling it \u003c\/span\u003e\u003cem\u003e“the perfect record.”\u003c\/em\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51115699339552,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6632.jpg?v=1767996663"},{"product_id":"my-bloody-valentine-loveless-remastered-gatefold-12-vinyl-lp","title":"My Bloody Valentine • Loveless (Remastered Gatefold) | 12” Vinyl LP","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eloveless\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is widely considered a flawless whole and rightly regarded as a masterpiece; a 1990s equivalent to Pet Sounds, In A Silent Way or Innervisions, a record constructed by exploring the edges of what a recording studio is capable of. It is a record best experienced as a whole, in one sitting - a listening experience like no other and unmatchable in its sonic brevity  \u003c\/span\u003e\u003c\/p\u003e","brand":"Domino Record Co.","offers":[{"title":"Default Title","offer_id":51115735253280,"sku":null,"price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/IMG-6636.jpg?v=1768001097"},{"product_id":"softcult-when-a-flower-doesnt-grow-black-vinyl-12-lp-preorder","title":"Softcult • When A Flower Doesn't Grow | Black Vinyl 12\" LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhen A Flower Doesn't Grow\u003c\/em\u003e\u003cspan\u003e is a self-produced, self-recorded, and fiercely independent collection of songs that detail trauma to rebirth and transformation. Its title comes from a quote by Dutch author, Alexander Den Heijer: \u003c\/span\u003e\u003cem\u003e\"when a flower doesn’t bloom, you fix the environment in which it grows, not the flower.”\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable bgcolor=\"\" width=\"100%\" align=\"center\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" role=\"presentation\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"m_7082240055772642375container\"\u003e\n\u003cdiv class=\"m_7082240055772642375text-block\"\u003e\n\u003cdiv\u003e\u003cspan\u003eMusically, \u003cspan class=\"il\"\u003eSoftcult\u003c\/span\u003e continue to expand their rich blend of grunge, shoegaze, and alt-rock textures, weaving fuzz-laden riffs and dreamy soundscapes with raw, confessional lyricism. The result is both intimate and universal: a record for anyone who has ever felt trapped or diminished by their surroundings, and a rallying cry to nurture ourselves and each other in the pursuit of freedom and authenticity.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe album follows last year’s acclaimed\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eHeaven\u003c\/em\u003e EP, which flipped the concept of an afterlife on its head, critiquing a culture fixated on the future while ignoring the urgent need for change in the present. That release saw the duo land the cover of Spotify’s MARROW playlist (over 4.7 million followers) and embark on tours across North America, the UK, Europe, Australia, and Southeast Asia. Along the way they’ve won fans in artists like Hayley Williams and Bring The Horizon’s Oli Sykes, opened for Incubus and MUSE, and earned praise from outlets including Stereogum, BrooklynVegan, Paste, Consequence, Alternative Press, Kerrang!, CBC, The Gay Times and more.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tyLWfmMcWRs?si=bp7lPteZ4sEQYtH9\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Easy Life Records","offers":[{"title":"Default Title","offer_id":51122842960160,"sku":null,"price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/softcult_whenaflower.jpg?v=1759268676"},{"product_id":"nothing-a-short-history-of-decay-choose-format-preorder","title":"Nothing • A Short History Of Decay | 12” Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNothing have always been rule-breakers. Shoegaze renegades who’ve rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing’s music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay, Nothing’s fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest.With the strongest arsenal in Nothing’s ever-shifting lineup locked in -- guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) -- singer-songwriter Domenic “Nicky” Palermo knew he had the manpower to make the band’s most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing’s catalog. Songs like “Cannibal World” and “Toothless Coal” are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine -- except more extreme.On the other end of the spectrum, the ornately morose “Purple Strings” boasts a beautiful string arrangement that includes harpist -- and two-time Nothing contributor -- Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly “The Rain Don’t Care,” a lilting ballad that channels the worn-down elegance of Mojave 3, and also “Nerve Scales,” a pattering bop that resembles Radiohead in its marriage of otherworldly atmosphere and mortal precision. Palermo calls the new record “a final chapter.” Not the end of Nothing, but the conclusion of a story that began with Nothing’s 2014 debut, Guilty of Everything -- another album about time, regret, and confronting uncomfortable truths -- and now resolves with a short history of decay,. As much a snapshot of Palermo’s past as it is a leap into Nothing’s future.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ice Cream","offers":[{"title":"Default Title","offer_id":51122849087776,"sku":null,"price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/RFC295-1500.jpg?v=1768336494"},{"product_id":"softcult-when-a-flower-doesnt-grow-cd-1","title":"Softcult • When A Flower Doesn't Grow | CD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ctable role=\"presentation\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\" align=\"center\" width=\"100%\" bgcolor=\"\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"m_7082240055772642375container\"\u003e\n\u003cdiv class=\"m_7082240055772642375text-block\"\u003e\n\u003cdiv\u003e\u003cspan\u003eMusically, \u003cspan class=\"il\"\u003eSoftcult\u003c\/span\u003e continue to expand their rich blend of grunge, shoegaze, and alt-rock textures, weaving fuzz-laden riffs and dreamy soundscapes with raw, confessional lyricism. The result is both intimate and universal: a record for anyone who has ever felt trapped or diminished by their surroundings, and a rallying cry to nurture ourselves and each other in the pursuit of freedom and authenticity.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe album follows last year’s acclaimed\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eHeaven\u003c\/em\u003e EP, which flipped the concept of an afterlife on its head, critiquing a culture fixated on the future while ignoring the urgent need for change in the present. That release saw the duo land the cover of Spotify’s MARROW playlist (over 4.7 million followers) and embark on tours across North America, the UK, Europe, Australia, and Southeast Asia. Along the way they’ve won fans in artists like Hayley Williams and Bring The Horizon’s Oli Sykes, opened for Incubus and MUSE, and earned praise from outlets including Stereogum, BrooklynVegan, Paste, Consequence, Alternative Press, Kerrang!, CBC, The Gay Times and more.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tyLWfmMcWRs?si=bp7lPteZ4sEQYtH9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Easy Life Records","offers":[{"title":"Default Title","offer_id":51163225096480,"sku":null,"price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/softcult_whenaflower.jpg?v=1759268676"},{"product_id":"chapterhouse-whirlpool-limited-180-gram-white-black-marble-vinyl-import","title":"Chapterhouse • Whirlpool - Limited 180-Gram White \u0026 Black Marble Vinyl [Import]","description":"\u003cp\u003e\u003cspan\u003eLimited edition of 2000 numbered copies on white \u0026amp; black marble coloured 180-gram audiophile vinyl. British shoegaze\/alternative rock band Chapterhouse released two albums during their existence, Whirlpool (1991) and Blood Music (1993). Their debut album is a fantastic example of shoegaze at it's best. The wall of sound approach is built around dance music structures and they're creating some heavy grooves.\u003c\/span\u003e\u003c\/p\u003e","brand":"Music On Vinyl","offers":[{"title":"Default Title","offer_id":51163285651744,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/ChapterhouseWhirlpool.jpg?v=1769628843"},{"product_id":"fleshwater-were-not-here-to-be-loved-white-and-clear-vinyl-12-lp","title":"Fleshwater • We're Not Here To Be Loved | White and Clear Vinyl 12\" LP","description":"\u003cdiv id=\"shopify-section-template--18670037369086__product-content\" class=\"shopify-section shopify-section--product-content\"\u003e\n\u003csection class=\"container\"\u003e\n\u003cdiv id=\"product-7886953971966-content\" class=\"product-content anchor\"\u003e\n\u003cdiv class=\"product-content__tabs anchor\" id=\"product-7886953971966-tabs\"\u003e\n\u003cdiv class=\"product-tabs\"\u003e\n\u003cdiv class=\"product-tabs__content\"\u003e\n\u003cdiv id=\"block-template--18670037369086__product-content-description\" class=\"product-tabs__tab-item-wrapper\"\u003e\n\u003cdiv class=\"product-tabs__tab-item-content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eFleshwater paint in broad strokes of alternative, shoegaze, electronic, post-hardcore, and off-kilter pop splashed against a tight sonic canvas awash in vibrant colors and visceral textures. Their songs unfurl with all the unpredictability of a living entity (and you can never quite put a finger on where they’ll go next). The moment you press play, it’s as if they appear in a rush of emotion, only to disappear back into a ghostly ether once the record stops.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAs such, the Lowell, MA quartet—Anthony DiDio [vocals, guitar], Marisa Shirar [vocals], Matt Wood [drums], and Jeremy Martin [bass]—balance the intimate inhale of male-female harmonies with an overpowering exhale of distortion.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow, they materialize in 2022 with nine songs on their full-length debut, We’re Not Here To Be Loved [Closed Casket Activities].\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“It’s ambiguous,” notes Anthony. “It’s like the music is attached to the mood rather than lumped into a genre. There are so many different elements. Fleshwater is never one thing.” \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe band quietly emerged in 2020 with Demo. “Linda Claire” amassed 1.3 million Spotify streams under the radar, while Stereogum hailed the three-song set as “a cool piece of hazy guitar-trudge music.” Along the way, the musicians wrote what would become We’re Not Here To Be Loved and self-produced the album with Kurt Ballou [Converge] recording them. The band mined a kaleidoscope of influences, ranging from Hum, Deftones, Sunny Day Real Estate, and Far to Björk, and they ultimately arrived at an ethereal signature style of their own punctuated by gnashing grooves and anesthetizingly gorgeous vocal conjurations.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBarely cracking the one-minute mark, the single “Kiss The Ladder” pulsates with glowing guitar and Marisa’s hypnotic chant, “Now I don’t want to be anyone.” “Backstairs Breathing” begins with creaky clean guitar and melodic verses from Anthony. It gives way to an urgent refrain as both voices entwine, “Become a memory next to me.” A snappy distorted rumble underlines the insidiously catchy “The Razor’s Apple” catalyzed by Marisa’s gauzy, yet guttural delivery. It spirals past a head-nodding drum breakdown on the back of knife-point precise riffing. “It’s my favorite vocal performance by Marisa,” he adds. “We’re definitely excited to play it live.\" Crossing the five-minute mark, “Foreign” leans into a punchy riff as Marisa and Anthony lock into one last cathartic call-and-response on the chorus.”\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the end, Fleshwater are unlike anything you’ve ever heard—and it’s why the experience of listening to them will belong to you alone. “I want people to have their own experience with Fleshwater’s music and let it take them for a ride,” Anthony leaves off.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Closed Casket Activities","offers":[{"title":"Default Title","offer_id":51163540488480,"sku":null,"price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/fleshwater_notheretobeloved.jpg?v=1769631890"},{"product_id":"my-bloody-valentine-isnt-anything-12-vinyl-lp","title":"My Bloody Valentine • Isn't Anything | 12\" Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith their debut album, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eIsn’t Anything\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (originally released in 1988), my bloody valentine revolutionised alternative music and heralded a new approach to guitar music for generations to come. The album birthed a sound which became a template for thousands of new subgenres, heralding a new approach to guitar music and studio production.\u003c\/span\u003e\u003c\/p\u003e","brand":"Domino Record Co.","offers":[{"title":"Default Title","offer_id":51163705311520,"sku":null,"price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/1081\/5264\/files\/mbv_isntanything.jpg?v=1769634273"}],"url":"https:\/\/watchicecream.com\/collections\/shoegaze-nu-gaze-and-dreampop-vinyl.oembed","provider":"Ice Cream","version":"1.0","type":"link"}